Author’s Note: This article was updated on April 30, 2008 to reflect changes in absinthe’s legal status in the United States.
Picture yourself at the end of the nineteenth century in France. The Bohemian movement is in full swing. Revolutions in art and literature are brewing, technology is advancing rapidly, and more and more people are putting their creative efforts into the expansion of culture. You walk into a Paris café and see someone sitting at a corner table, scribbling or sketching madly, eyes fiery with enthusiasm. More than likely you see on the same table a glass containing a cloudy liquid—absinthe, the legendary “green muse” to which many artists of the day attribute their creative insights.
Absinthe is among the most popular drinks around this time—not only in France but across Europe and even in the United States. But it is more than just a tasty alcoholic beverage: it’s a ritual. To prepare your absinthe in the traditional way, you begin by pouring about an ounce of the greenish liquid into a glass. On top of the glass you place a flat, slotted spoon on which a single sugar cube rests. You pour cold water over the sugar cube—slowly enough that it dissolves by the time your glass is full. As the water mixes with the clear liquid it turns cloudy—an effect called louching, caused by the oils in the absinthe. Finally, you stir the liquid with the spoon, and then drink. (A more theatrical variation on this ritual, performed by Johnny Depp’s character in the 2001 film “From Hell,” is to soak the sugar with absinthe first, and then set it on fire, allowing the heat to melt the sugar before you mix in the water.)
What you are drinking is a spirit made by distilling herbs. But that could describe many drinks; what makes absinthe special is the presence of a particular herb—Artemisia absinthium, commonly known as wormwood. This concoction was invented in 1792 by a French doctor named Pierre Ordinaire. While living in Switzerland, Ordinaire was trying to create a patent medicine to cure stomach ailments. He tried wormwood in one of his recipes—along with anise and a variety of other herbs—and found it very successful. Eventually the formula became commercialized, and absinthe began to shift from an over-the-counter remedy to a refreshing drink, acquiring the nickname “the Green Fairy.” Absinthe has a high alcohol content—nearly 70%—and a slightly bitter flavor. Adding water and sugar before drinking it worked wonders in improving its mass appeal.
Unlike other alcoholic beverages, which have a sedative effect, absinthe was reputed to provide exceptional clarity of thought. Artists relied on it for inspiration and imagery. Among those who swore by absinthe were Van Gogh, Degas, Toulouse-Lautrec, Picasso, Hemingway, and Edgar Allen Poe. Oscar Wilde was a fan too, and was famously quoted as saying: “After the first glass, you see things as you wish they were. After the second, you see things as they are not. Finally you see things as they really are, and that is the most horrible thing in the world.” Behind this wry commentary, though, was a troubling implication. An increasing number of people became convinced that absinthe was not a benign stimulant but a dangerous drug. Among those who drank absinthe excessively, there were numerous reports of hallucinations, convulsions, and even insanity.
It’s Not Easy Being Green
In 1905, public anxiety came to a head when a Swiss farmer named Jean Lanfray shot his whole family. The newspapers were quick to point out that Lanfray had been drinking absinthe, not bothering to mention that he had also consumed a great deal of wine and other spirits that day. This was the final straw for those who vilified absinthe, and political pressure to rid society of this evil quickly mounted. In the years that followed, absinthe was banned in most parts of Europe, as well as in the United States.
The deleterious effects of absinthe were typically attributed to a substance called thujone, a component of wormwood. Nowadays, scientists believe there’s little or no truth to the notion that it is a dangerous drug. Every modern study of thujone suggests that the amount required to harm human beings is many times that found in even the strongest brands of absinthe from a century ago. In fact, to ingest enough thujone to do any damage, you’d have to drink so much absinthe that you’d have died—or nearly so—from alcohol poisoning. Thus one common explanation for the disturbing behavior witnessed in absinthe drinkers is that they were simply drunk—a problem, for sure, but not one unique to absinthe. However, a more interesting explanation is based on evidence that unscrupulous absinthe producers in the nineteenth century, in an effort to lower their costs, added a variety of toxic chemicals to their absinthe—such as a copper compound used to provide a green color. The effect of these toxins—added to that of the alcohol itself—is a more plausible cause of the legendary absinthe madness.
The Glass is Greener on the Other Side of the Fence
All over the world, absinthe is enjoying a comeback, as the old laws prohibiting its manufacture and sale are being revised or at least reinterpreted. There have been two main legal sticking points over the years: thujone content and labeling. Both the United States and the European Union have long had rules requiring thujone levels in beverages of this sort to be less than 10 parts per million. (The U.S. Food and Drug Administration actually calls any beverage meeting that test “thujone-free.”) But that’s more or less a moot point, because most brands of absinthe sold in the 19th century were already within this limit—not that it matters much anyway, given the research that shows the thujone wasn’t the problem in the first place.
A bigger issue is that regulatory agencies in some countries (including the U.S. and France) still don’t want anyone selling something that’s called absinthe, even if that’s precisely what it is, largely because of a perception that this word connotes a drug of some sort. So absinthe distillers have reached compromises with various government agencies such as using the word absinthe only as part of a phrase, or in smaller type, or otherwise adjusting the label to make it sound less like you’re going to be drinking something that’s likely to make you hallucinate.
As a result of lengthy and expensive legal wrangling over a period of several years, in mid-2007 the United States finally began granting permission for genuine absinthe to be imported, manufactured, and sold. You can now buy brands such as Lucid (made in France), Kübler (made in Switzerland), and St. George (the first brand to be made legally in the U.S. since 1912). In Europe, many brands and formulations are available, with some trying to get as close as possible to the original taste, and others going in more trendy directions. (You can even find red, blue, and clear absinthe.)
Absinthe Makes the Heart Grow Fonder
Canada, meanwhile, never bothered to restrict the sale of absinthe because it was never perceived to be a social or political problem there. I had my first encounter with the Green Fairy while I was living in Canada several years ago, when absinthe was still unavailable in the U.S. I experienced a subtle, but noticeable, increase in the clarity and vividness of my thoughts shortly after drinking absinthe—a much different effect than I’d have expected from alcohol alone. Then again, I couldn’t say with complete certainty that the effect was not imagined, and there was an additional complication: the uncertain authenticity of the formula.
The only brand of absinthe commercially available in Canada at that time was Hill’s Absinth, made in the Czech Republic. Absinthe experts roundly dismiss Hill’s as undrinkable—a pale imitation of real absinthe. Personally, I quite liked it—but then, I had no experience with other varieties to serve as a frame of reference. (I also found it mildly ironic that detractors should use the word “undrinkable” because that is exactly the definition of the Greek word from which the name absinthe is derived.)
I moved to France in 2007, right around the time legal absinthes were starting to appear in the U.S. I’ve had the pleasure of sampling quite a few varieties of authentic absinthe here. It’s easy to find bars in Paris with wide selections of absinthe on the shelves, and there’s even a little shop called Vert d’Absinthe that sells only absinthe and related paraphernalia. To be honest, although I’ve enjoyed every absinthe I’ve tried, my unsophisticated palate sometimes has difficulty differentiating the taste of absinthe from that of pastis, a similar (but wormwood-free) anise-based distilled beverage that rose to popularity when absinthe was banned. (During the time when absinthe was legally unavailable, numerous companies began producing pastis with names suggestive of absinthe—brands like Absente, Versinthe, and La Muse Verte.) I can’t say the absinthe I’ve had here has made me more creative or clear-headed, but perhaps I simply haven’t been diligent enough in my experimentation. I’ll press on. —Joe Kissell
There are plenty of absinthe resources on the Web. One of my favorites is la Fée Verte—an extensive guide to absinthe, including history, recipes, art, and a buyer’s guide. There’s also The Virtual Absinthe Museum and the Absinthe Buyers Guide, which among other things shows pictures of many different brands, and suggests sources for purchasing them. And, of course, the Wikipedia has a detailed article on Absinthe.
The Mystery of the Green Menace by Brian Ashcraft in Wired covers the valiant efforts of Ted Breaux to reverse-engineer classic absinthe formulas and reintroduce them in France.
David Lebovitz, in his article Vert d’Absinthe: Absinthe in Paris, takes readers on a tour of a little shop in Paris that sells only absinthe.
Articles about absinthe’s newly legal status in the United States include:
- Absinthe: The American Remix by Brendan I. Koerner in the New York Times (April 29, 2007)
- Absinthe: legal again? by Max Sparber at The Bottle Gang (June 15, 2007)
- Barely Legal: American Absinthe Passes the Taste Test by Paul Adams in Wired (July 19, 2007)
- Alameda distiller helps make absinthe legitimate again by Stacy Finz at SFGate (December 5, 2007)
- Absinthe Made His Heart Grow Fonder by Sharon McLoone in the Washington Post (December 10, 2007)
I also suggest checking out Yes, Absinthe Is Legal in the US and Absinthe in the US – Which Are Real? at the Wormwood Society and Absinthe in America – US Legalization in 2007 at the Virtual Absinthe Museum.
One of the best books on absinthe is Barnaby Conrad’s Absinthe: History in a Bottle. There’s also a novel called Absinthe by Christophe Bataille (and yes, it actually is a story about absinthe). For a detailed look at the impact of absinthe on art, check out Absinthe: the Cocaine of the Nineteenth Century—A History of the Hallucinogenic Drug and Its Effect on Artitsts and Writers in Europe and the United States by Doris Lanier. (Don’t you hate it when they give away the ending in the title?) And just for the sake of completeness, I should mention a slim booklet Aleister Crowley wrote on the use of absinthe in New Orleans around the time of Prohibition—Absinthe: The Green Goddess.
Absinthe figured prominently in Moulin Rouge, both as the drink and as the imaginary Green Fairy herself. Likewise, the film From Hell is worth seeing just for the classic absinthe scene. (Warning: absinthe and opium do not mix.)
div>The Absinthe Drinker (Manet, 1859), L’Absinthe (Degas, 1876), Café at Arles (Gauguin, 1888), and Monsieur Boileau at the Cafe (Toulouse-Lautrec, 1893). In addition, there are quite a few well-known prints advertising various brands of absinthe. Examples are Absinthe Robette by Gustav Klimt, Absinthe—J. Édouard Pernot and Absinthe Ducros Fils by Leonetto Cappiello, and <a href=”http://affiliates.allposters.com/link/redirect.asp?AID=485881&PSTID=1<ID=5&startat=http%3A%2F%2Fwww%2Eallposters%2Ecom%2FGetPoster%2Easp%3FAPNum%3D332458%26search%3DAbsinthe%2520Parisienne%26f%3Dt%26FindID%3D0%26P%3D1%26PP%3D1%26sortby%3DR%26cname%3D%26catupdate%3Dget””>
Absinthe is featured in a number of famous paintings, including The Absinthe Drinker (Manet, 1859), L’Absinthe (Degas, 1876), Café at Arles (Gauguin, 1888), and Monsieur Boileau at the Cafe (Toulouse-Lautrec, 1893). In addition, there are quite a few well-known prints advertising various brands of absinthe. Examples are Absinthe Robette by Gustav Klimt, Absinthe—J. Édouard Pernot and Absinthe Ducros Fils by Leonetto Cappiello, and Absinthe Parisienne (artist unknown).